It is especially popular among Japanese mountain and landscape photographers and boasts such users as Naoki Ishikawa, Hiromi Tsuchida, and Tomoko Yoneda. The only functional differences between the Mamiya 7 and 7II is the latter can do multiple exposures, has an extra neck strap lug and supposedly has an improved rangefinder.Įither are revered for boasting ideal performance features, such as interchangeable lenses, automatic exposure, easy-to-see rangefinder, and super silent operation. It was preceded by the 6×6 Mamiya 6 of 1995 and replaced by the Mamiya 7II in 1999.
Information is scant on the production details of the Mamiya 7 even though it is relatively new camera with production running from 1995 to its discontinuation in 2014. You can’t be bored from this history lesson as there isn’t much to be bored from.
#MAMIYA 7 II KIT PORTABLE#
With this relatively portable 6×7 cult classic, are the hills really alive with the sound of music? The only way to find out is put in a roll of #not120mm and find out. Owners seem to lose their collective fecal matter over the Mamiya 7 and sing its praises like Maria von Trapp on a mountain top. It is placed on the pedestal of GOAT on many an internet camera reviewing blog or video you will come across in cyberspace. There is no shortage of hullabaloo about the legendary Mamiya 7.
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